Return to SEVILLA
Photographs and Commentary by Debra Jan Bibel
Music: Soleá [Cante Gitano / live
juerga in Andalucia / Nimbus: 3 min excerpt]
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We reverse course and head back to Sevilla and Hotel Plaza de Armas. By now, we have adapted to the €30 lunches arranged by Eduardo. The original itinerary throughout stated that we would be on our own for lunch, but only twice did that occur (perhaps it meant only that the tour would not cover it ). No one truly complained though, since Eduardo knows his restaurants and despite the expense we get to see attractive, well-decorated places and receive good, tasty food. Furthermore and more important, the comradeship developed around the tables was a dividend. I gained 6 pounds on this journey and immediately attacked that load (successfully in a couple weeks) when I arrived home. I was disappointed that vegetables were largely absent or limited, being used to California's variety and abundance, and, moreover, I ate far more meat than accustomed. At home, I am practically a lacto-ovo vegetarian. I actually ached for broccoli. The Spanish certainly love their pork products, but I think that they mastered lamb, which was tender and full of flavor. After lunch, we toured the great cathedral and the adjacent Alcazar, from Gothic to Moorish. If the Alcazar is an architectural feast of Islamic architectural design, what awaits in Granada when we see Alhambra, one of the world 's architectural wonders?
Other than the tram, pedestrians rule the street in this section. |
Mesón Don Raimundo. | A lovely restaurant. | Featured wall plates. | Another converted minaret. | Our witty guide to the largest cathedral in the world. |
Columbus is entombed here. |
The four kings of a united Spain [Castile, León, Aragón, Navarra] carry him. |
Columbus before heaven. |
Rich detail. |
High vaults. |
Tall columns. |
Gothic, Gothic, Gothic | Abstract rib vault junction. | Gold; no one knows how much. | Detail of vignettes. | The choir; angels trumpet. | From cathedral to Alcazar. |
The courtyard. | Detail of ornamentation. | Varied columns. | Stunning arabesques. | Luxurious design. |
Other side of the courtyard. |
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A table full of food. |
All of us along a long table. |
Not gourmet but family style. | Mhijea is here also. | José directs attention. |
Maya serves some wine. |
Hail Eduardo! |
Children enjoy the moment. |
Carmen strikes a pose. | Yuval's group begins the entertainment. | Musical communication. | Norik adds his timbre. |
José provides cante. | The family listens. | They now participate with palmas. | Enter the guitar. Juerga! | José plays the cajun. | The spirit ascends. |
The duduk enters. | Cannot stop the feet; Baile! | Carmen now must dance. | Duende. | ||
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