After an exploration of geometric morphological forms—the square, the rectangle, the circle, arrays of stripes, lines, and dots—time comes to bring the elements together.  Abstract forms and representations of the Circle & Line series have led to easily recognizable landscapes. Thus, the artist returns to the structural forms of her youth but with the eyes and techniques of maturity.  Solids, intense colors, and geometry, the Bibel hallmark, persists.  This page is the result of several works of early development and exploration of entirely imaginary structures.

The source cities are recognizable but the paintings do not depict them as they are. Architecture is reduced to core lines and buildings are seen mystically, the intensity and contrast of hues akin to that perceived with prolonged meditation and other means of altered consciousness. Aside from this psychological aspect, the art may be seen more fundamentally as orderly patterns of variously colored areas. Our consciousness and learning suggest familiar objects. Finally, this is in essence Fauvist architecture, with a touch of André Derain.

Whether or not this morphological branch will extend into further evolved patterns or will become a truncated tributary remains to be seen, but the branching stream has become a river.

Debra Jan Bibel

MORPHOLOGIES:
An Exploration, An Evolution

 

City Synthesis —                      

Interiors & Exteriors

 

 

These images are part of an ongoing series begun in autumn 2008. This page is of mature, recent paintings since 2009 that focus more narrowly on buildings, streets, and interiors but viewed as an alternate reality.

See: City Synthesis —
        Skyline Series

See: City Synthesis —
        Metaphysics/Philosophy Series

See: City Synthesis —
        Developmental Stage

NOTE: All reduced and overly processed images fail utterly in even hinting at the quality of the actual paintings, their hues, and their effect on the viewer.

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Triptych: I've been working on the railroad 
(2017)

 Specifications: wall mounting; 3-inch space between canvases; 15° inward angle of left and right units.

 

 


Desert Transverse
(2017)
18 × 36 in.

Link to enlargement


 
 


Go Forth 
(2017)
18 × 36 in.

Link to enlargement
 

 

 

Tunnel  (2017)
24 × 30 in.

Link to enlargement

 

 

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —

                          Emily Dickinson

For over 40 years this has been the view from Bibel's living room but in different hues and with no geometric emphasis. One day, she saw the scene slant. Indeed, she was drawn to the angles and chevrons everywhere within the window frame The title refers to the Northern California fire disaster in October 2017.

 

Days of Fire and Smoke (2017)
24 × 36 in.

Link to enlargement

 

 


Floor 124: Industrial Design 
(2017)
48 × 24 in.

Link to enlargement
 

 


Path of Serenity
(2016)
36 × 24 in.

 Link to enlargement

Also in Metaphysics/Philosophy series

 


Sunrise at Gadsisar Sagar
(2016), 36 × 24 in.

Link to enlargement

 


Time Signature
(2015), 36 × 24 in.

Link to enlargement
 

 

 

 

Boston Moods: III. Sailor's Delight  (2014), 24 × 36 in.
 

Boston Moods: II. The Morning after Tomorrow (2014), 24 × 36 in.
 

Singapore Swing (2013), 36 × 24 in.
 

 

Contrast (2012), 24 × 36 in.

Link to enlargement; browser zoom will provide details.

 

Enigma / Jackson Square (2012), 30 × 24 in.
 

Landmark (2012), 40 × 30 in.
 

Begin Here (2011), 24 × 36 in.
Turkish Delight:
Dancing Domes (2011), 24 × 36 in.
*

Link to enlargement

 
Prelude (2011), 24 × 30 in.  

Ephesus
(2011), 40 × 30 in.
 

 


Wall 
(2011), 40 × 30 in.

Also in Circle & Lines series.

 

Observatory (2010), 24 × 36 in. After the Concert (2010), 24 × 36 in.*
 

Anticipation  (2011), 24 × 30 in.

Link to enlargement; browser zoom will provide further detail.

 

 

Ensō (2011), 30 × 30 in.

    Link to enlargement; browser zoom will provide details. 

 

See: City Synthesis —
        Skyline Series

See: City Synthesis —
        Metaphysics/Philosophy Series

See: City Synthesis —
        Developmental Stage

*  Sold        × Personal Collection

City SynthesisSquare/RectangleStripes
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All images are copyright by Debra Jan Bibel.  Permission for use in electronic media or for printed reproduction is required. 
Links to this website are permitted only if artist identification is included in direct view, not just within source code.

 

Rev. November 1, 2017