The circle is perfection.  But when you apply mathematics to it, you need to use pi, an indeterminate or transcendental number. Our retina, hence our scope of vision, is circular, though we place emphasis on the horizon, in contrast to cats, which are more sensitive to the vertical. The circle is steadfast and forthright, yet it implies gliding movement along a surface or a rotation in space, forming its noble derivative, the sphere.  Spiritual mandalas are circles, materialistic coins are circles.  The Zen enso, which is symbolic of the absolute, encompassing the dharma essence and Tao way neither lacking anything nor with anything in excess, is a brush painting of a circle. A circle pulls space around it.

The line is a connection or a path or vector.

Bibel discovers for herself what Calder had artistically pioneered and what a child playing with Tinkertoys knows intuitively: the lightness of being.  Here are skeletal formations in unbounded space, abstract yet representational and associative. 

Debra Jan Bibel

MORPHOLOGIES:
An Exploration, An Evolution


 

Circle & Line


Years 2008 – present

 

 

Circle & Line forms can also be found in the City Synthesis — Resonance Series.
 

See also: Circle & Line Series, Years 2006–2007 [13 works]
                Circle & Line Series, Year 2005
[10 works]

 

Ideal Weather, Whether Ideal  (2024), 24 × 30 in. 

Link to enlargement  

 

Iguazu  (2024), 36 × 36 in.  

Link to enlargement  

 

Global Climate Change III —Dying coral reef  (2024), 36 × 36 in.  

Link to enlargement  

 

 

Other Worlds  (2024), 40 × 20 in.
 

 

        

The Seasons  (2024), 16 × 16 in., each

Quadriptych: Spring, Summer, Autumn, Winter

      

 

Mind Tunnel  (2024), 16 × 16 in.
 

Global Climate Change II (2024), 24 × 30 in.
 
 Link to enlargement  
 

Global Climate Change  (2024), 36 × 36 in.
 
 Link to enlargement  
 

Every Thing Consists of Organized Atoms: Canyon  (2023), 40 × 30 in.
 
 Link to enlargement
Link to reduction

 

Lava Field  (2023), 48 × 30 in.
 
 Link to enlargement  

 


Ocean 
(2023), 36 × 24 in.
 
 Link to enlargement  

 


Desert 
(2023), 48 × 30 in.
 
 Link to enlargement  
 

 

Rainstorm  (2023, 30 × 30 in.
 
 Link to enlargement  

 

Rose Garden  (2023, 24 × 30 in.
 
 Link to enlargement  

 

Wildflowers  (2022), 36 × 24 in.
 
 Link to enlargement  

 

Perceive the wind, perceive the dance: New England Autumn  (2022), 36 × 36 in.
 
 Link to enlargement  

 


Zen 
(2022), 40 × 30 in.
 
 Link to enlargement  
 

Arks (2012), 24 × 36 in.

 

Samba (2013), 30 × 30 in.

Tornado (2013), 24 × 36 in.

Winter's Harbinger (2016), 30 × 24 in. 

Exhibited and sold as set of all 6 paintings arranged accordingly by column and tier:

   
Change (2011), 16 × 12 in. Hua-Yen (2011),16 × 12 in. Unity: Not One, Not Two, (2011) 16 × 12 in.

 

 

 


Forest Dharma
(2011), 16 × 12 in.
Season Cycle (2011), 16 × 12 in. Land Construction (2011), 16 × 12 in.
Music (2012), 20 × 16 in.

 

Psychedelic Painting No. 2 (2012), 50.5 ×50.5 in. [36-in. sides]

Primary location of this image is the Op Series.

 

 

 

Wall (2011), 40 × 30 in.

[This is not an abstract; based on an actual Japanese temple wall.]

 

Cloudburst  (2011), 48 × 24 in.



Flamenco: Siguiriyas y Soleares
(2010), 36 × 36 in.

 

 

Pungmul Percussive Dance  (2010), 30 × 30 in.

 

Thelonious in Chau-Tal (2008), 36 × 36 in.*
 

Passage (2008), 30 × 40 in.

 

Harbor Nocturne (2008), 36 × 24 in. *

Full Circle (2008), 48 × 36 in.

            

              Dorje (2008), 24 × 24 in.

Ecosystem, More or Less (2009), 30 × 30 in.

  See also: Circle & Line Series, Years 2006–2007
        
Circle & Line Series, Year 2005

*  Sold        × Personal Collection

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All images are copyright by Debra Jan Bibel.  Permission for use in electronic media or for printed reproduction is required. 
Links to this website are permitted only if artist identification is included in direct view, not just within source code.


 

                                Last revision: 30 October 2024